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Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
The first Baroque building in present-day Poland and probably one of the most recognizable is the Saints Peter and Paul Church, Kraków, designed by Giovanni Battista Trevano. Sigismund's Column in Warsaw, erected in 1644, was the world's first secular Baroque monument built in the form of a column. [49]
The building site of Palazzo Marino introduced Galeazzo Alessi to Milan: [29] it is surely the architect's most famous city work, and the palace is regarded as Milan's most representative Mannerist civil architecture. Other famous building sites of the second half of the sixteenth century in Milan include the renovation of Villa Simonetta [30 ...
The Baroque architecture period began in Italy during the late-16th century. It originated during the Counter-Reformation, which was mainly headed by the Catholic Church to appeal to people through new art and a new style of architecture. Baroque architecture is characterized by drama and grandeur.
The ideas that inspired the Baroque garden, like those of Baroque architecture, first appeared in Italy in the late Renaissance. In the late 15th century, the architect, artist and writer Leon Battista Alberti proposed that the house and garden were both sanctuaries from the confusion of the outside world and that they both should be designed with architectural forms, geometric rooms, and ...
Pietro da Cortona (Italian: [ˈpjɛːtro da (k)korˈtoːna]; 1 November 1596 or 1597 [1] – 16 May 1669 [2]) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture.
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.
The Louvre and Tuileries Palace, royal residences of the era of French absolutism. The architecture of Paris and its nearest surrounding suburbs in the era of absolutism (16–18th centuries) [a] went through several important historical stages: the transition from Flamboyant to the Renaissance, the emergence of the "Jesuit style" and mannerism, the birth of Baroque and Classicism, the rise of ...