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According to the biblical account, Hannah sang her song when she presented Samuel to Eli the priest. The Song of Hannah is a poem interpreting the prose text of the Books of Samuel. According to the surrounding narrative, the poem (1 Samuel 2:1–10) was a prayer delivered by Hannah, to give thanks to God for the birth of her son, Samuel.
The song is a contemporary version of a classic worship song making the case for "10,000 reasons for my heart to find" to praise God. The inspiration for the song came through the opening verse of Psalm 103: "Praise the Lord, my soul; all my inmost being, praise his holy name".
The third stanza urges the faithful departed to join in praising God, including the church patriarchs, prophets, apostles, martyrs and saints, addressed in groups similar to those in the Litany of the Saints. The fourth stanza finally addresses the present congregation to join together in praise.
Together with the Nunc dimittis, the Magnificat is a regular part of the Anglican Evensong. The "Mag and Nunc" has been set by many composers – such as Thomas Tallis , Ralph Vaughan Williams , Herbert Sumsion , Charles Wood and John Tavener – of Anglican church music , often for choir a cappella or choir and organ.
The phrase "hallelujah" translates to "praise Jah/Yah", [2] [12] though it carries a deeper meaning as the word halel in Hebrew means a joyous praise in song, to boast in God. [ 13 ] [ 14 ] The second part, Yah , is a shortened form of YHWH , and is a shortened form of his name "God, Jah, or Jehovah". [ 3 ]
The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic ...
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Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".