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The guitarra latina is a plucked string instrument of the medieval period in Europe. [1] It has single string courses , and it is normally played with a pick . This gittern or citole with curved sides is illustrated in the medieval musical text the Cantigas de Santa Maria , alongside another gittern, the guitarra morisca .
The Latin Rhythm Albums chart is a music chart published in Billboard magazine.The data is compiled by Nielsen SoundScan from a sample that includes music stores, music departments at electronics and department stores, internet sales (both physical and digital) and verifiable sales from concert venues in the United States. [1]
The guitarrón is usually played by doubling notes at the octave, a practice facilitated by the standard guitarrón tuning A 1 D 2 G 2 C 3 E 3 A 2. Unlike a guitar, the pitch of the guitarrón strings does not always rise as strings move directionally downward from the lowest-pitched string (A 2, which is the 6th string from the lowest-pitched ...
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a ...
This area is where a pick guard can be installed (the same linear area between the upper and lower bouts closest to the fingerboard.) The Mexican vihuela is a small, deep-bodied rhythm guitar built along the same lines as the guitarrón. The Mexican vihuela is used by Mariachi groups. This instrument is strummed with all of the fingernail tips ...
The Spanish tinge is an Afro-Latin rhythmic touch that spices up the more conventional 4 4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:
The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument ...
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