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The naiad Minthe, daughter of the infernal river-god Cocytus, became concubine to Hades, the lord of the underworld and god of the dead. [9] [10] In jealousy, his wife Persephone intervened and metamorphosed Minthe, in the words of Strabo's account, "into the garden mint, which some call hedyosmos (lit. 'sweet-smelling')".
Melinoë is the daughter of Persephone and was fathered by Zeus, [6] who tricked her via "wily plots" by taking the form of Hades, indicating that in the hymn Persephone is already married to Hades. [7]
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
The consort of Hades was Persephone, daughter of Zeus and Demeter. [33] Persephone did not submit to Hades willingly, but was abducted by him while picking flowers in the fields of Nysa (her father, Zeus, had previously given Persephone to Hades, to be his wife, as is stated in the first lines of the Homeric Hymn to Demeter). In protest of his ...
Allison Russell, the Grammy-winning Americana artist, is coming back up from the underground. On Sunday night, she finishes up a 15-week run in Broadway’s “Hadestown,” which has left her ...
The album Turbo Ocho by Roger Clyne and the Peacemakers features a track titled Persephone [8] as a love song written by Hades to Persephone. The folk opera Hadestown based on the myth of Orpheus, Persephone is a main character. Ani DiFranco portrays Persephone in the 2010 concept album, while in the stage adaptation the role was originated by ...
A new movie about the life of Mary, the mother of Jesus Christ, is sparking debate among viewers and religious scholars alike. “Mary,” a Biblical epic streaming now on Netflix, tells the story ...
Ceres's love—a mother's love—challenges the power of the gods. [40] Shelley tells the story almost entirely from Ceres's point of view; "her play elegiacally praises female creativity and fecundity as 'Leaf, and blade, and bud, and blossom.' " [ 2 ] Shelley writes active, rather than passive, roles for Proserpine and Ceres.