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2. List of variations on Pachelbel's Canon - Wikipedia

   en.wikipedia.org/wiki/List_of_variations_on...

   It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]

3. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   Download as PDF; Printable version; In other projects ... # of chords Quality 50s progression: I–vi–IV–V ... DOG EAR Tritone Substitution for Jazz Guitar ...

4. List of chords - Wikipedia

   en.wikipedia.org/wiki/List_of_chords

   Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...

5. Chord progression - Wikipedia

   en.wikipedia.org/wiki/Chord_progression

   Some pop and rock songs from the 1980s to the 2010s have fairly simple chord progressions. Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords.

6. I–V–vi–IV progression - Wikipedia

   en.wikipedia.org/wiki/I–V–vi–IV_progression

   I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

7. '50s progression - Wikipedia

   en.wikipedia.org/wiki/'50s_progression

   The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...