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Lewisohn L (eds) The Philosophy of Ecstasy: Rumi and the Sufi Tradition, Nicosia, London, Rumi Institute and I.B. Tauris, 2011. Lewisohn L (eds) Hafez and the Religion of Love in Classical Sufi Poetry, London, I.B. Tauris, 2010. with R Bly, Angels Knocking at the Tavern Door: Thirty Poems of Hafiz, New York, HarperCollins, 2008.
During Shams’ initial separation from Rumi, Rumi wrote poetic letters to Shams pleading for his return. [20] Following Shams’ second disappearance, Rumi returned to writing poetry lauding Shams and lamenting his disappearance. [4] These poems would be collected after Rumi’s death by his students as the Divan-i Shams-i Tabrizi. [21]
The Sufi Path of Love: The Spiritual Teachings of Rumi, by William Chittick, Albany: SUNY Press, 1983. The Mysteries of the Universe and Rumi's Discoveries on the Majestic Path of Love, by Majid M. Naini, Universal Vision & Research, 2002, ISBN 978-0-9714600-0-3 www.naini.net; The Mesnevi of Mevlâna Jelālu'd-dīn er-Rūmī.
The Forty Rules of Love is a novel written by the Turkish author Elif Shafak, [1] [2] [3] Her interest in writing this book was influenced by the degree she received in Gender and Women’s Studies. [4] The book was published in March 2009. [5] It is about the Persian mystic poet Maulana Jalal-Ud-Din, known as Rumi and his companion Shams Tabrizi.
Rumi's ghazal 163, which begins Beravīd, ey harīfān "Go, my friends", is a Persian ghazal (love poem) of seven verses by the 13th-century poet Jalal-ed-Din Rumi (usually known in Iran as Mowlavi or Mowlana). The poem is said to have been written by Rumi about the year 1247 to persuade his friend Shams-e Tabriz to come back to Konya from ...
Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
In a literary wordplay Fakhreddin Eraqi changed the words of the shahada (la ilaha illa'llah) to la ilaha illa'l-'ishq ("there is no deity save Love"). For his part, Rumi, in his writings, developed the concept of love as a direct manifestation of the will of God, in part as a calculated response to objections coming from the orthodox wing of ...
A page of Fihi Ma Fihi from MuntaXab-i Fihi Ma Fihi. The Fihi Ma Fihi or Fīhi Mā Fīhi (Persian: فیه ما فیه), lit. ' 'It Is What It Is" or "In It What Is in It' ') is a Persian prose work of 13th century Sufi mystic and Iranian poet Jalāl al-Dīn Muḥammad Rūmī. [1]