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Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization found in recorded history and based in ancient Mesopotamia, and what is modern day Iraq. The Sumerians widely regarded their divinities as responsible for all matters pertaining to the natural and social orders of their society.
The god Marduk and his dragon Mušḫuššu. Ancient Mesopotamian religion encompasses the religious beliefs (concerning the gods, creation and the cosmos, the origin of man, and so forth) and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 6000 BC [1] and 500 AD.
Ištaran was a prominent [178] god, who served as the tutelary deity of the Sumerian city-state of Der, which was located east of the Tigris river on the border between Mesopotamia and Elam. [163] His wife was the goddess Šarrat-Dēri, whose name means "Queen of Der", [ 163 ] or alternatively Manzat (goddess of the rainbow), [ 178 ] and his ...
Sumer (/ ˈ s uː m ər /) is the earliest known civilization, located in the historical region of southern Mesopotamia (now south-central Iraq), emerging during the Chalcolithic and early Bronze Ages between the sixth and fifth millennium BC.
Widely considered to be the cradle of civilization, Mesopotamia brought significant cultural developments, including the oldest examples of writing. The art of Mesopotamia rivalled that of Ancient Egypt as the most grand, sophisticated and elaborate in western Eurasia from the 4th millennium BC until the Persian Achaemenid Empire conquered the ...
Man carrying a box, possibly for offerings. Metalwork, c. 2900–2600 BCE, Sumer. Metropolitan Museum of Art. [1]The Early Dynastic period (abbreviated ED period or ED) is an archaeological culture in Mesopotamia (modern-day Iraq) that is generally dated to c. 2900 – c. 2350 BC and was preceded by the Uruk and Jemdet Nasr periods.
Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE), and especially Assyrian palace reliefs from this period.
Although lamassu had a different iconography and portrayal in the culture of Sumer, the terms "lamassu", "alad", and "shedu" evolved throughout the Assyro-Akkadian culture from the Sumerian culture to denote the Assyrian-winged-man-bull symbol and statues during the Neo-Assyrian Empire. Eventually, female lamassu were identified as "apsasû". [4]