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Another thought is that this style of embroidery came from Iran where it was called Gulkari, also meaning floral work. [11] [12] However, Pal (1960) notes that the styles of Phulkari are distinct to Gulkari work. [8] There is reference to phulkari in ancient texts, folk legends, and literature of Punjab.
The Punjab region also uses mukesh embroidery: mukesh bati-hui, twisted tinsel, gokru, flattened gold wire for embroidery of a heavy kind, and waved mukesh, made by crimping mukesh batihui with iron tongs. [85] Ludhiana and Amritsar are known for embroidery using white, silver and gold threads on clothes such as chogas and waistcoats (phatuhi). [1]
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
Kashida is the local lingo for the embroidery. Kasidkari known as kashida - kari, [ 2 ] is the Punjabi and Hindi for needlework . [ 5 ] It is also known as kasidakari.
Various types of embroidery patterns are used for a lehenga-style sari. Bagh, chikan, kashida, kasuti, kantha, sozni, shisha, and zardozi are some of the commonly practiced types of embroidery in the lehenga-style sari. Bagh is a special kind of embroidery done by women in Punjab to be worn during festivals and weddings.
Dressing of Indus valley civilization people show presence of multi-ethnic people of diverse backgrounds for instance people have been depicted wearing Pashtun style pakol hat with a chocker like neck ornament as well as Punjabi style pagri and Rajasthani style bangles and necklaces and many other styles prominent in neighbouring regions of the ...
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