Search results
Results from the WOW.Com Content Network
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
In the late-18th and 19th centuries, some chant reformers (notably the editors of the Mechlin, Pustet-Ratisbon , and Rheims-Cambrai Office-Books, collectively referred to as the Cecilian Movement) renumbered the modes once again, this time retaining the original eight mode numbers and Glareanus's modes 9 and 10, but assigning numbers 11 and 12 ...
"Correct the intonations and confirm the modes of the antiphons and responsories of the Mass and Office" [53] [54] Al-Farabi: 872–950 Arab Kitāb al-mūsīqī al-kabīr (Great book on music) "most imposing of all Arabic works on music" [55] Abu al-Faraj al-Isfahani: 897–967 Arab Kitab al-Aghani (Book of Songs) Notker Labeo: 950–1022
The following is a list of modernist composers.. In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and ...
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research —of the early 20th century and postwar era .
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Guido Adler , however, in one of the texts that founded musicology in the late 19th century, wrote that "the science of music originated at the same time as the art of sounds", [ 3 ] where "the science of music" ( Musikwissenschaft ...
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [2] Philosophy, politics, architecture, and social issues were all aspects of this movement.
An example from the middle of the century is the scherzo movement of Carlos Chávez's Symphony No. 3 (1951–54). The movement opens with a fugue subject, featuring extremely wide leaps, in C Lydian with following entries in F and G Lydian. [10] Alexei Stanchinsky wrote a Prelude in Lydian mode earlier in the 20th century. [11]