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The tattoo was the prisoner's camp entry number, sometimes with a special symbol added: some Jews had a triangle, and Romani had the letter "Z" (from German Zigeuner for "Gypsy"). In May 1944, the Jewish men received the letters "A" or "B" to indicate particular series of numbers.
The Diatype was a relatively small desktop-sized headline-setting device (i.e. not intended for continuous justified text), based on a glass disc font master. [11] Character selection was by means of a trigger mounted on the front of the machine (giving rise to the colloquial naming of the machine as the "duck-shooter" (in the UK at least).
Times New Roman is a serif typeface. It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department.
Grotesque (Stephenson Blake typefaces) The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century. [1] Stephenson Blake's grotesque faces are in the traditional nineteenth-century "grotesque" style of sans ...
The Guinness World Records used Rockwell in some of its early-1990s editions. Informational signage at Expo 86 made extensive use of the Rockwell typeface. [9] Docklands Light Railway used a bold weight of this typeface in the late 1980s and early 1990s. The poetry publisher Tall Lighthouse also uses Rockwell in all of its books, as well as on ...
Gill Kayo. Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards. Gill Sans is based on Edward Johnston 's 1916 "Underground Alphabet", the corporate font of London Underground. As a young artist, Gill had assisted Johnston in its early development stages.
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