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In Spider-Man 2, he portrays an usher to Mary Jane's play who refuses to let Peter enter after arriving late. In Spider-Man 3, Campbell appears as a French maître d' who messes up Peter's proposal to Mary Jane. [193] In the ultimately unmade Spider-Man 4, Campbell's character would have been revealed as Quentin Beck / Mysterio. [194]
Spider-Man remained at the top of the box office in its second weekend, dropping 38% and grossing another $71.4 million [155] while averaging $19,756 per theater. At the time, this was the highest-grossing second weekend of any film. [155] Spider-Man reached the $200 million mark on its ninth day of release, also a record at the time. [155]
Jennifer Bisset of CNET praised the action sequences, performances, and story, writing: "A Russo Brothers influence can almost be felt ushering Holland's third Spider-Man movie into new, weightier territory. If the character is to become the next Tony Stark, this is the way to etch a few more scars into a more interesting hero's facade.
Oscar Isaac as Miguel O'Hara / Spider-Man 2099: [24] A "ninja-vampire" Spider-Man from Earth-928 set in the year 2099, [25] who is the leader of the Spider-Society, a group of Spider-People from alternate universes tasked with protecting the multiverse. [11] Isaac described Miguel as "the one Spider-Man that doesn't have a sense of humor". [26]
In issue #97 (Nov. 1998) of the second series titled Peter Parker: Spider-Man, [78] Parker learns his Norman Osborn kidnapped Aunt May and her apparent death in The Amazing Spider-Man #400 (April 1995) had been a hoax. [79] [80] Shortly afterward, in The Amazing Spider-Man (vol. 2) #13 (#454, Jan. 2000), Mary Jane is killed in an airplane ...
Owen Gleiberman of Variety praised Holland's performance and wrote, "By the end, this Spider-Man really does find his tingle, yet coming after Into the Spider-Verse, with its swirling psychedelic imagery and identity games and trap doors of perception, Spider-Man: Far From Home touches all the bases of a conventional Marvel movie. It doesn't ...
However, a small adjustment was made to a 2011 deal that gave Marvel full control of Spider-Man's merchandising rights, in exchange for a one-time payment of $175 million to Sony and paying up to $35 million for each future Spider-Man film rather than receiving their previous five percent of a Spider-Man film's revenue—Marvel could now reduce ...
The fictional timeline of the Marvel Cinematic Universe (MCU) media franchise and shared universe is the continuity of events for several feature films, television series, television specials, short films, and the I Am Groot shorts, which are produced by Marvel Studios, as well as a group of Netflix series produced by Marvel Television.
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