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"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan , and produced by T Bone Burnett . It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
Acoustic Hymns Vol 1 is the sixth studio album by English singer and musician Richard Ashcroft. The album was released on 29 October 2021 through Righteous Phonographic Association and BMG Rights Management. Ashcroft's longtime collaborator Chris Potter returned for production duties after not being involved on the previous album Natural Rebel.
Sonny Landreth, Keith Richards and other open-G masters often lower the second string slightly so the major third is in tune with the overtone series. This adjustment dials out the dissonance, and makes those big one-finger major-chords come alive." [66] Repetitive open-tunings are used for two non-Spanish classical-guitars.
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At the time, a song could only chart on the Billboard Hot 100 if a physical single had been released for the song in the United States, where "One Headlight" was serviced to radio, but not to retail. Therefore, while the song was a massive radio hit, it was ineligible to chart on the Hot 100.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Dear and the Headlights was an American indie rock band from Phoenix, Arizona, formed in 2005. They released two widely known demos, recorded by future bassist Chuckie Duff, before their debut album was released. These demos included five songs re-recorded for the album.
"Sunday Morning" is a song by American pop rock band Maroon 5. It was released on December 2, 2004, as the fourth single from their debut studio album Songs About Jane (2002). The single peaked at number 31 in the United States, becoming Maroon 5's fourth Top 40 single; it also peaked at number 27 in the United Kingdom and Australia.