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Kalinga Pottery and its Uses [4] A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
Earthenware vessels in the Philippines were formed by two main techniques: paddle and anvil, and coiling and scraping. [2] Although a level of highly skilled craftsmanship is present in the Philippines, no evidence of kilns are found, primarily because the type of clay to be found in the archipelago can only withstand relatively low temperatures of firing.
The Kalinga Ethnoarchaeological Project was a comparative study proposed by William Longacre to verify whether or not the social relations (kinship systems) observed at his Carter Ranch Pueblo study were applicable to all pottery making societies or just Carter Ranch itself.
By about 5000 BC pottery-making was becoming widespread across the region, and spreading out from it to neighbouring areas. Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. [71]
Jingdezhen, a hub for Chinese ceramic production in Jiangxi, was a main source of high quality porcelain that dominated the international Chinese porcelain market. [2] By the end of the 14th century, primary production sites in Jingdazhen shifted from bluish-white colored wares to predominantly blue-and-white porcelain. [2]
Pottery (ceramics, clay, and folk clay sculpture) has been part of Filipino culture for about 3,500 years. [169] Notable artifacts include the Manunggul Jar (890–710 BCE) [170] and Maitum anthropomorphic pottery (5 BC-225 AD). [171] High-fired pottery was first made around 1,000 years ago, leading to a ceramic age in the Philippines. [135]
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