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Napoleon placed the crown on his head himself, spurning the pope's intent to do so. The painting by Jacques-Louise David titled The Coronation of Napoleon depicts the seated pope at the ceremony as Napoleon crowns his wife. Although the pope and the papacy were promised rich gifts and donations, Pius initially refused most of these offers.
The Council of Paris or National Council was an abortive council of the church that attempted to impose Napoleon I's will on Pope Pius VII on a number of church issues. Held in two key phases from June 17 to August 5, 1811, at Notre-Dame de Paris, the council occurred while the Pope was imprisoned in Savona before being secretly transferred to Fontainebleau on June 12, 1812.
Napoleon's was a sacred ceremony held in the great cathedral of Notre Dame de Paris in the presence of Pope Pius VII. Napoleon brought together various rites and customs, incorporating ceremonies of Carolingian tradition, the ancien régime, and the French Revolution, all presented in sumptuous luxury. [3]
The new upper middle class included Napoleon's generals and high officials, the most successful doctors and lawyers, and a new class of wealthy Parisians who made their money selling supplies to the army, by buying then reselling nationalized property, such as churches; and by speculating in the stock market.
The Concordat of 1801 was an agreement between the First French Republic and the Holy See, signed by First Consul Napoleon Bonaparte and Pope Pius VII on 15 July 1801 in Paris. [1] It remained in effect until 1905, except in Alsace–Lorraine , where it remains in force .
Napoleon Bonaparte [b] (born Napoleone Buonaparte; [1] [c] 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military officer and statesman who rose to prominence during the French Revolution and led a series of successful campaigns across Europe during the French Revolutionary and Napoleonic Wars from 1796 to 1815.
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Sketch by David of Napoleon crowning himself. The composition is organized around several axes, and incorporates the rules of neoclassicism. One axis is that which passes through the cross and has a vertical orientation. A diagonal line runs from the pope to the empress. All eyes are turned towards Napoleon, who is the center of the composition.