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Most famously, eight of the selected dancing masters performed with King Louis XIV during his portrayal of Apollo, the Sun King, in Le Ballet de la nuit (1653). [1] Although the object of the Académie was to reflect, analyze and normalize matters of dance, no document relating to its activity or to this theorization has survived.
Louis XIV as Apollo in the Ballet Royal de la Nuit (1653) Louis XIV, the King of France from 1643 to 1715, was a ballet enthusiast from a young age. In fact his birth was celebrated with the Ballet de la Felicite in 1639. As a young boy, he was strongly supported and encouraged by the court, particularly by Italian-born Cardinal Mazarin, to ...
Louis XIV as Apollo in the Ballet Royal de la Nuit (1653) Hall of Mirrors, Palace of Versailles. Louis loved ballet and frequently danced in court ballets during the early half of his reign. In general, Louis was an eager dancer who performed 80 roles in 40 major ballets.
Apollo costume worn by Louis XIV in the Ballet of the Night (1653) Henri (de) Gissey (ca 1621 – 1673) was a French draughtsman and designer who held the post of dessinateur de la Chambre et du cabinet de Roi in the Menus Plaisirs du Roi in the early years of Louis XIV of France.
Soon ballet spread around the world with the formation of new companies, including London's The Royal Ballet (1931), the San Francisco Ballet (1933), American Ballet Theatre (1937), the Royal Winnipeg Ballet (1939), The Australian Ballet (1940 as the predecessor Borovansky Ballet), the New York City Ballet (1948), the Cuban National Ballet ...
The Paris Opera (French: Opéra de Paris, IPA: [opeʁa də paʁi] ⓘ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the Académie d'Opéra, and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the Académie Royale de Musique, but continued to be known more simply as the Opéra.
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Louis Henry studied at the Paris Opera School with Deshayes, Gardel, and Coulon. He started his career at the Opéra de Paris in 1803, later moving to the Théâtre de la Porte Saint-Martin as its ballet master. [2] After leaving France, Italy was where Henry spent most of his professional life during the Romantic period. [3]