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The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2] It is one of Caravaggio’s more complex paintings, with four figures that were likely painted from ...
The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
Self-portrait of Caravaggio as the figure at the top left. Caravaggio "put the oscuro (shadows) into chiaroscuro". [85] Chiaroscuro was practised long before he came on the scene, but it was Caravaggio who made the technique a dominant stylistic element, darkening the shadows and transfixing the subject in a blinding shaft of light.
Boy Peeling Fruit (Caravaggio) The Calling of Saints Peter and Andrew, by Caravaggio; Rembrandt Self-portrait; Self-Portrait as the Allegory of Painting by Artemisia Gentileschi; 12 views of Venice by Canaletto; Portraits by Holbein and Van Dyck; Apart from the paintings some important tapestries are displayed, including:
Self-Portrait with Seven Fingers; Self-Portrait with Skeleton; Self-portrait with the Colosseum; Self-Portrait with the Yellow Christ; Self-Portrait with Thorn Necklace and Hummingbird; Self-Portrait with Two Pupils; Self-Portrait Yellow-Pink; Self-Portrait. Between the Clock and the Bed. The Smokers (painting) Study for a Self-Portrait ...
One of several versions, one of which is Caravaggio's earliest known work [10] [11] [9] [12] c. 1592–1593: Boy Peeling Fruit: London, The Dickinson Group 64.2 × 51.4 cm Oil on canvas: One of several versions, one of which is Caravaggio's earliest known work [13] c. 1592–1599: Portrait of a Prelate [14] Italy, Private Collection 68 × 53 cm ...
Self-portrait by Caravaggio (detail from Martyrdom of Saint Matthew). After receiving his initial training in Milan, Caravaggio arrived in Rome in the early 1590s, perhaps in the summer of 1592, [5] aged around twenty. He passed through several studios, working on a variety of small-scale productions, including flowers and fruit.
The appearance of second originals is a feature of a new understanding of Caravaggio's work, and indeed Vincenzo Giustiniani, whose experience was closely related to the artist's career, describes in his Discorso sulla pittura the painter's development as beginning with copying others’ work – 'Proceeding further, he can also copy his own work, so that the replica may be as good, and even ...
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