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In common parlance "psychedelic art" refers above all to the art movement of the late 1960s counterculture, featuring highly distorted or surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance psychedelic experiences. Psychedelic visual arts were a counterpart to psychedelic rock music.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
The fashion for psychedelic drugs gave its name to the style of psychedelia, a term describing a category of rock music known as psychedelic rock, as well as visual art, fashion, and culture that is associated originally with the high 1960s, hippies, and the Haight-Ashbury neighborhood of San Francisco, California. [38]
Psychedelic art and music typically try to recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted and surreal visuals, bright colors and full spectrums and animation (including cartoons ) to evoke and convey to a viewer or listener the artist's experience while using such drugs, or to enhance the ...
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Their vivid lightshows were a staple during the psychedelic music heyday and they did light shows (usually at the Fillmore) for such bands the Jimi Hendrix Experience, Pink Floyd, the Doors, Ike and Tina Turner, the Grateful Dead, Big Brother and the Holding Company, Jefferson Airplane, It's a Beautiful Day, Yardbirds and many more.
Cyberdelic (from "cyber-" and "psychedelic") was the fusion of cyberculture and the psychedelic subculture that formed a new counterculture in the 1980s and 1990s. Cyberdelic art was created by calculating fractal objects and representing the results as still images, animations, underground , algorithmic music , or other media.
Self-taught and with no formal training, he quickly became one of the real forces behind the British psychedelic art movement, and he was a contributor to all three of the most influential and important underground publications of the 1960s: Oz (magazine), Gandalf's Garden and International Times. He is an honorary member of the South West Academy.