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A scene from Hérold's Zampa. Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville.
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The 1977 film The Bad News Bears in Breaking Training uses a portion of Tchaikovsky's 1812 Overture. Also, the movie's theme song, James Rolleston's "Life is Lookin' Good," uses a variation of the music. Canadian progressive rock band Rush adopted the famous brass theme of 1812 Overture in their suite 2112, from their album of the same name ...
The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three- movement structure [ 1 ] – the outer movements are quick, the middle movement is slow.
These included the opera being sung in German (rather than in French, as in Paris) and linking the end of the overture to the start of the opera proper. The 1875 Vienna version is that normally used in modern productions of the "Paris" version, often with the reinstatement of Walther's act 2 solo. [23] Wagner remained dissatisfied with the opera.
The cover of the Treemonisha score, published in 1911. Treemonisha (1911) is an opera by American ragtime composer Scott Joplin.It is sometimes referred to as a "ragtime opera", though Joplin did not refer to it as such and it encompasses a wide range of musical styles. [1]