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Five-stringed instrument guitar [3] [5] Cuba: 321.322 Guitar, used for the Zapateo dance and other rural music guitar [4] Dominican Republic: 321.322 Guitar, part of some popular merengue groups' instrumentation guitar [6] Haiti: 321.322 Guitar, used in méringue: guitar [1] Jamaica: 321.322 Guitar, used in popular styles like ska, reggae and ...
Seggae music, just as reggae music, can be composed of either just a guitar, or if played by a band, its instrumentation can include drums, a rhythm guitar, a solo guitar, a keyboard, a bass, percussions and a singer. Unlike reggae, seggae is played at a 6/8 (common time) tempo, and with 138 to 140bpm, just like sega music.
Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. [1] These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. [2]
Jamaican reggae musicians by instrument (1 C) G. Reggae guitarists (1 C, 5 P) S. Reggae singers (12 C, 22 P) T. Reggae trombonists (4 P)
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. [2] It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. [3]
After the music's gradual exposure in Panama, Jamaica influence and heritage in Panama it eventually evolved into reggaeton. [11] It blends West-Indian reggae and dancehall with Latin American genres such as bomba, plena, salsa, merengue, Latin pop and bachata, as well as hip hop, contemporary R&B and electronica. Notable acts of early ...
"Burru" consists of alternations of a beat made by one drummer, and another beat by another drummer, like a conversation between two or more people: this pattern is named call and response, [2] and can be observed in almost all African-rooted music, such as the first Afro-American music genres like blues and gospel, among others.
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