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This is a list of those dramatists who wrote their work in the Urdu language. Despite the historical presence of Sanskrit dramas, the history of Urdu drama is begins only with British influences on Urdu in the 19th century. Today Urdu drama has been developed as a separate branch of Urdu literature. [1]
Syed Imtiaz Ali Taj (Urdu: سیّد امتیاز علی تاؔج; Sayyid Imtiyāz ʿAlī Tāj; 1900–1970) was a Pakistani dramatist who wrote in the Urdu language. [1] He is best known for his 1922 play Anarkali , based on the life of Anarkali , that was staged hundreds of times and was adapted for feature films in India and Pakistan ...
Urdu Drama evolved from the prevailing dramatic traditions of North India shaping Rahas or Raas as practiced by exponents like Wajid Ali Shah, Nawab of Awadh. His dramatic experiments led to the famous Inder Sabha of Agha Hasan Amanat and later this tradition took the shape of Parsi theatre .
A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwright" and is the first person in English literature to refer to playwrights as separate from poets.
Habib Tanvir (1 September 1923 – 8 June 2009 [2]) was one of the most popular Indian Urdu playwrights, a theatre director, poet and actor. [2] He was the writer of plays such as, Agra Bazar (1954) and Charandas Chor (1975).
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.