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MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player,
Brief Candles takes its title from a line in William Shakespeare's Macbeth, from Macbeth's famous soliloquy: Out, out, brief candle! Life's but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing.
From the "Tomorrow and tomorrow and tomorrow" soliloquy (V.v; including "all our yesterdays have lighted fools the way to dusty death", "Out, out, brief candle!", "Life's but a walking shadow, a poor player that struts and frets his hour upon the stage" and "It is a tale told by an idiot, full of sound and fury, signifying nothing"):
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man.
The Tragedy of Macbeth, often shortened to Macbeth (/ m ə k ˈ b ɛ θ /), is a tragedy by William Shakespeare. It is thought to have been first performed in 1606 . [ a ] It dramatises the physically violent and damaging psychological effects of political ambitions to power.
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
Shakespeare's Sonnet 37 returns to a number of themes sounded in the first 25 of the cycle, such as the effects of age and recuperation from age, and the blurred boundaries between lover and beloved. However, the tone is more complex than in the earlier poems: after the betrayal treated in Sonnets 34–36, the speaker does not return to a ...