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Sonnet 64 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
[4] B.C. Southam makes an effort to build on Ransom's passing remark in a more developed argument about the sonnet which seeks to show that Shakespeare's speaker is inspired more by a "humanist" philosophy that ironically undermines a rigidly Christian "rigorous asceticism which glorifies the life of the body at the expense of the vitality and ...
The St Crispin's Day speech is a part of William Shakespeare's history play Henry V, Act IV Scene iii(3) 18–67. On the eve of the Battle of Agincourt , which fell on Saint Crispin's Day , Henry V urges his men, who were vastly outnumbered by the French, to imagine the glory and immortality that will be theirs if they are victorious.
Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.
Barbara Estermann discusses William Shakespeare's Sonnet 73 in relation to the beginning of the Renaissance. She argues that the speaker of Sonnet 73 is comparing himself to the universe through his transition from "the physical act of aging to his final act of dying, and then to his death". [3]
The sonnet seems to be firmly against mourning after death, but really it is for mourning the dead but only in a timely manner. "The sonnet's first-person subject demands that mourning—even if it lasts only for one minute or one day—coincides with, rather than succeed, the death knell that will "Give warning to the world that I am fled."
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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.