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Juvenalian satire, named for the writings of the Roman satirist Juvenal (late first century – early second century AD), is more contemptuous and abrasive than the Horatian. Juvenal disagreed with the opinions of the public figures and institutions of the Republic and actively attacked them through his literature.
Juvenal claims as his purview, the entire gamut of human experience since the dawn of history. Quintilian—in the context of a discussion of literary genres appropriate for an oratorical education—claimed that, unlike so many literary and artistic forms adopted from Greek models, "satire at least is all ours" (satura quidem tota nostra est). [6]
Satire Decimus Junius Juvenalis ( Latin: [ˈdɛkɪmʊs ˈjuːniʊs jʊwɛˈnaːlɪs] ), known in English as Juvenal ( / ˈ dʒ uː v ən əl / JOO -vən-əl ; c. 55–128), was a Roman poet . He is the author of the collection of satirical poems known as the Satires .
The distinction has little relevance for Horace [citation needed] however since his personal and literary experiences are implicated in each other. Satires 1.5, for example, recounts in detail a real trip Horace made with Virgil and some of his other literary friends, and which parallels a Satire by Lucilius, his predecessor. [66]
He was a master of two styles of satire, the Horatian and Juvenalian styles. He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language. [ 1 ]
Satire: usually fiction and less frequently in non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, with the intent of shaming individuals, corporations, government, or society itself into improvement. [4] Horatian; Juvenalian; Menippean; Social and political fiction. Libertarian sci-fi; Social sci-fi ...
Satire 2.5 is often thought of as the least “Horatian” of the Satires and is often compared to works by Juvenal, a poet of the 1st century AD. Juvenal’s poems focus on the perversions of man and hint at Man’s loss of “his highest potentialities”.
A 2015 review of Les Editions de Londres suggests that the light-hearted Directions to Servants is more of a Horatian than Juvenalian satire. Swift goes beyond simple parody or satire: by providing the servants with advice that verges on the absurd he deconstructs and amusingly reveals the absurdities of the Eighteenth-century English social system.