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In the Red Sparrow book trilogy , written by former CIA diplomat Jason Matthews, the protagonist, Dominika Egorova, is described to experience synesthesia that extends beyond words and sounds to human emotions. She is said to see coloured halo's around people's heads and shoulders that display their emotions and character.
Most synesthetes see characters just as others do (in whichever color actually displayed) but they may simultaneously perceive colors as associated with or evoked by each one. Synesthesia ( American English ) or synaesthesia ( British English ) is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to ...
Examples used in the book include critical analyses of the colonial literature of Joseph Conrad, [verification needed] which conflates a people, a time, and a place into one narrative of an incident and adventure in an exotic land. [2]
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, [5] [6] but can also include works in various non-fiction genres, such as ...
Other examples of anthropomorphism include the attribution of human traits to animals, especially domesticated pets such as dogs and cats. Examples of this include thinking a dog is smiling simply because it is showing his teeth, [50] or a cat mourns for a dead owner. [51] Anthropomorphism may be beneficial to the welfare of animals.
In his 1990 book Words with Power, Frye proposed the literary device of metaphor to be a method of inciting identification in the reader. [10] Frye said that a metaphor not only identifies one thing with another, but both things with the reader, creating an experience of identification which merges the reader with the text.
By the end of the 19th century, sentimental literature faced complaints about the abundance of "cheap sentiment" and its excessive bodily display. Critics, and eventually the public, began to see sentimentalism manifested in society as unhealthy physical symptoms such as nervousness and being overly sensitive, and the genre began declining ...