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  2. Color field - Wikipedia

    en.wikipedia.org/wiki/Color_field

    An important distinction that made color field painting different from abstract expression was the paint handling. The most basic fundamental defining technique of painting is application of paint and the color field painters revolutionized the way paint could be effectively applied. Color field painting sought to rid art of superfluous rhetoric.

  3. Combine painting - Wikipedia

    en.wikipedia.org/wiki/Combine_painting

    A combine painting or Combine is an artwork that incorporates elements of both painting and sculpture. [1] [2] [3] Items attached to paintings might include three-dimensional everyday objects such as clothing or furniture, as well as printed matter including photographs or newspaper clippings.

  4. Abstract art - Wikipedia

    en.wikipedia.org/wiki/Abstract_art

    Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.

  5. Composition with Red, Blue and Yellow - Wikipedia

    en.wikipedia.org/wiki/Composition_with_Red,_Blue...

    According to Stephanie Chadwick, an associate professor of art history at Lamar University, "Mondrian's Composition with Red, Blue, and Yellow demonstrates his commitment to relational opposites, asymmetry, and pure planes of color. Mondrian composed this painting as a harmony of contrasts that signifies both balance and the tension of dynamic ...

  6. Homage to the Square - Wikipedia

    en.wikipedia.org/wiki/Homage_to_the_Square

    Certain combinations of colors would create the effect of making squares seem like they are coming outward instead of inward. [9]: 85 Often Albers would use color in relation to moral character, which he explored through his Homage to the Square series. Albers believed that colors took on moral character because they existed "in relation to ...

  7. One: Number 31, 1950 - Wikipedia

    en.wikipedia.org/wiki/One:_Number_31,_1950

    One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...

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