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Neuromancer is a 1984 science fiction novel by American-Canadian writer William Gibson. Considered one of the earliest and best-known works in the cyberpunk genre, it is the only novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. [1] It was Gibson's debut novel and the beginning of the Sprawl trilogy.
The Sprawl trilogy (also known as the Neuromancer trilogy) is William Gibson's first set of novels, and is composed of Neuromancer (1984), Count Zero (1986), and Mona Lisa Overdrive (1988). [ 1 ] The novels are all set in the same fictional future.
Ronin (1983–1984) by Frank Miller; Shatter (1985–1988) by Peter B. Gillis and Mike Saenz; Appleseed (1985–1989) by Masamune Shirow; Dominion (1986) by Masamune Shirow; Ghost in the Shell (1989–1991) by Masamune Shirow; Neuromancer (1989) by Tom de Haven and Bruce Jensen [33] Battle Angel Alita (1990–1995) by Yukito Kishiro [32]
Molly Millions (also known as Sally Shears, Rose Kolodny, and others) is a recurring character in stories and novels written by William Gibson, particularly his Sprawl trilogy. She first appeared in " Johnny Mnemonic ", to which she makes an oblique reference in Neuromancer (where she is mostly referred to as "Molly" with no last name given).
It takes place in the world of Gibson's cyberpunk novels, predating them by some years, and introduces the character Molly Millions, who plays a prominent role in the Sprawl trilogy of novels. The short story served as the basis for the 1995 film Johnny Mnemonic , whose plot uses the same basic premise but otherwise differs considerably.
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The streamer behind Foundation, For All Mankind, Constellation and Monarch: Legacy of Monsters is adapting William Gibson’s classic science fiction/cyberpunk novel Neuromancer into a series.
Count Zero is a science fiction novel by American-Canadian writer William Gibson, originally published in 1986. [1] It presents a near future whose technologies include a network of supercomputers that created a "matrix" in "cyberspace", an accessible, virtual, three-dimensionally active "inner space", which, for Gibson—writing these decades earlier—was seen as being dominated by violent ...