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Notable among the influences were Japanese folding screens. [4] The word byōbu entered Mexican Spanish as biombo. [4] The scenes depicted on these folding screens were frequently historical, such as the Conquest of Tenochtitlán. [4] Others depicted everyday life, such as a folding screen depicting the happenings of the village of Ixtacalco. [4]
The Cracked Ice screen is a late 18th-century low two-fold Japanese screen intended for use at the Japanese tea ceremony. It was created in the Edo period and is signed and sealed by the artist, Maruyama Ōkyo (1733–1795), founder of the Maruyama school of realist painting.
Folding screens would have common motifs such as dragons and sceneries. The folding screens are often decorated in a technique called khảm xà cừ (inlaying with crushed nacre). In Vietnam, folding screens have also derived into a type of architecture built in front of houses for protection and luck influenced by feng shui. [16] [17]
The screens are held by the Tokyo National Museum, and were designated as a National Treasure of Japan in 1952. [ 3 ] [ 1 ] [ 2 ] The ink-on-paper work depicts a view of Japanese pine trees in the mist, with parts of the trees visible and parts obscured, illustrating the Zen Buddhist concept of ma ( 間 ) and evoking the Japanese wabi ( 侘 ...
A group plays a sugoroku board game in a detail of the Hikone screen. The Hikone screen (彦根屏風, Hikone byōbu) is a Japanese painted byōbu folding screen of unknown authorship made during the Kan'ei era (c. 1624–44). The 94-×-274.8-centimetre (37.0 × 108.2 in) screen folds in six parts and is painted on gold-leaf paper.
Dates from the 600s or earlier. One of the oldest types of screen. Still in use. Byōbu (屏風, lit. ' windbreak ') more images: A free-standing folding screen. Paper on frame. In Japan, these are rarely left plain; they are usually painted. [15] Kichō (几帳) more images: T-shaped stand with curtain, with ties
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Tawaraya Sōtatsu (俵屋 宗達, c. 1570 – c. 1640) was a Japanese furniture designer and painter of the Rinpa school.. Sōtatsu is best known for his decorations of calligraphic works by his partner Hon'ami Kōetsu (1558–1637), [1] and his spectacular and highly influential byōbu folding screens, such as National Treasures Wind God and Thunder God [2] and his painting of the Sekiya and ...
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