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Some Mahayana sources use the sky as a simile for the Dharmakaya and for emptiness. [5] [6]The Trikāya doctrine sees Buddhahood as composed of three bodies, components or collection of elements (kāya): the Dharma body (the ultimate aspect of Buddhahood), the body of self-enjoyment (a divine and magical aspect) and the manifestation body (a more human and earthly aspect).
śūnya, in the context of buddha dharma, primarily means "empty", or "void," but also means "zero," and "nothing," [7] and derives from the root śvi, meaning "hollow" -tā is a suffix denoting a quality or state of being, equivalent to English "-ness"
A Definition Etymology In other languages abhidhamma A category of scriptures that attempts to use Buddhist teachings to create a systematic, abstract description of all worldly phenomena abhi is "above" or "about", dhamma is "teaching" Pāli: abhidhamma Sanskrit: abhidharma Bur: အဘိဓမ္မာ abhidhamma Khmer: អភិធម្ម âphĭthômm Tib: ཆོས་མངོན་པ ...
Second, it is the collection of pure dharmas possessed by the Buddha, specifically pure mental dharmas cognizing emptiness. And third, it comes to refer to emptiness itself, the true nature of things. The dharmakaya in all these senses is contrasted with the Buddha’s physical body, that which lived and died and is preserved in stupas. [24]
Tibetan Buddhism views the human body as consisting of a coarse body made of six constituent elements of earth, water, fire, wind, space and consciousness and also of a subtle body, or 'Vajra body', of winds, channels and drops. There are many types of wind or 'subtle breath' that move along the invisible channels of the subtle body.
Its most basic meaning is as a word for meditation, with meditation being the main occupation of Buddhist monks. In Burma, senior meditation practitioners are known as "kammatthanacariyas" (meditation masters).
Nirmāṇakāya (Chinese: 應身; pinyin: yīngshēn; Tibetan: སྤྲུལ་སྐུ་, tulku, Wylie: sprul sku) is the third aspect of the trikāya and the physical manifestation of a Buddha in time and space. [1] In Vajrayāna it is described as "the dimension of ceaseless manifestation." [2]
Pali is a highly inflected language, in which almost every word contains, besides the root conveying the basic meaning, one or more affixes (usually suffixes) which modify the meaning in some way. Nouns are inflected for gender, number, and case; verbal inflections convey information about person, number, tense and mood.