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Upon Kamatari’s death, the Tang dynasty emperor, who had received Kamatari’s beautiful daughter as a consort, sent three priceless treasures to Japan in order to comfort his grieving lover by honoring her father. One of the treasures, a pearl, was stolen by the dragon king during a storm on its way to Japan in the inlet of Fusazaki.
Artist's rendition of Amaterasu emerging from the cave holding a magatama necklace in her left hand, and a sword in her right. The Kojiki and Nihon Shoki, completed in the 8th century, have numerous references to magatama. [2] They appear in the first chapter of the Nihon Shoki, which largely describes the mythology of Japan.
The daughter of Kamotaketsunumi no Mikoto, the wife of either Kotoshironushi or Ōmononushi, and the mother of Himetataraisuzu-hime, the first Empress of Japan, second wife of Emperor Jimmu. Tamamo-no-Mae A wicked nine-tailed fox who appeared as a courtesan to beguile Emperor Konoe. Tamanooya-no-Mikoto The kami who created the gem Yasakani-no ...
The mitsudomoe is also the symbol of the Electro element in the video game Genshin Impact, due to the fact that the element's associated domain, Inazuma, is based on ancient or medieval Japan. Eneru, the antagonist of the Skypiea arc of One Piece – whose body is made of lightning – has a shoulder accessory consisting of four drums with ...
A Amenonuhoko Azusa Yumi G Gohei (Japanese: 御幣) Goshintai (Japanese: 御神体) H Hama Yumi (Japanese: 破魔弓) Heisoku (Japanese: 幣束) I Imperial Regalia of Japan (Japanese: 三種の神器) K Kagura suzu (Japanese: 神楽鈴) Kusanagi (Japanese: 草薙の剣) Koma-inu (Japanese: 狛犬) M Mitamashiro (Japanese: 御霊代) N Nihongo or Nippongo (Japanese: 日本号) O O-fuda ...
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Ordinary businessman Takafumi Katayama signs a contract to join a mysterious BDSM club where various dominatrices, each with their own specialty skill, will attack and humiliate him in public.
Bodhisattva giving up his life so that a tiger family can feed their cubs; illustration of a Jataka tale on the base of the Tamamushi Shrine. The term "National Treasure" has been used in Japan to denote cultural properties since 1897, [1] [2] although the definition and the criteria have changed since the introduction of the term.