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The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.
Weaver stated, "Usually Maurice would play bass guitar, but he was away from the studio that night. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". "I really liked the synth bass lines", Maurice said. "I overdubbed certain sections to add bass extra emphasis".
The song begins with a drum intro, followed by a funky bass line from Robert Trujillo.Then the guitar comes in and the chorus is played without song. Then the verse begins, and it goes on as verse, chorus, verse, chorus, verse, chorus, verse, chorus.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
The album marked the duo's growth, continuing their exploration of soul with a stronger focus on funk and R&B elements. Free Money was well-received, with radio station KCRW naming it one of the best albums of the year. Songs like "Money Clouds" and "Red Lights" were praised for their smooth vocals, funky bass lines, and modern take on classic ...
Sultry crooner Jorja Smith does what she does best over funky bass lines and rock guitars. Her lovelorn lyrics are contrasted with Lil Durk’s Auto-Tuned emotion: “The media treat me like I ain ...
"Block Rockin' Beats" is a song by British big beat duo the Chemical Brothers. Released in March 1997 by Freestyle Dust and Virgin as the second single and opening track from their second studio album, Dig Your Own Hole (1997), it topped the UK Singles Chart and peaked at number 40 on the US Billboard Modern Rock Tracks chart.
To a certain generation, Gwen Stefani will always be the pink-haired ska goddess she was circa No Doubt’s Return of Saturn, but for her latest solo album, she took her sound in a very different ...
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