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Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
The Engineer's Lover (Italian: 'L'amante dell'ingegnere) is a painting by Italian painter Carlo Carrà. [1] It was finished during the artists phase of Pittura Metafisica, or "Metaphysical painting," in 1921. [2] It portrays an enigmatic head of a maiden on a brown table, flanked by a green panel with a triangle and a compasses (symbols of ...
Carlo Carrà, 1919, Le figlie di Loth, oil on canvas, 111 x 80 cm, Museum of Modern and Contemporary Art of Trento and Rovereto. Source MART. Date 1919 Author Carlo Carrà. Permission (Reusing this file) See below.
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
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Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art.
The List of graphic artists in the Web Gallery of Art is a list of the named artists in the Web Gallery of Art (WGA) whose works there comprise drawings, woodcuts, etchings, engravings, mezzotints, lithographs, and watercolours. The online collection contains roughly 34,000 images by 4,000 artists, but only named artists with works labelled ...
The art historian Dr. Rosalind McKever has also proposed that Funeral is compositionally similar to Uccello's The Battle of San Romano, noting that, "The clash between the anarchists and the police is compositionally closest to the Uffizi version; the dominance of black and red recalls the Louvre version; and the melee of flag poles, lances and ...