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Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. [ 1 ]
In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. [2] However, some buildings built after this period are still considered postmodern. [3]
[7] In accordance, Slavoj Žižek has identified the mid-to-late 1980s as the period when Derrida's deconstruction shifted from a radical negative theology to a Kantian idealism. [8] In 1989, Bloom eschewed any identification with the Yale School 's technical, methodological approach to literary criticism. [ 9 ]
Derrida's deconstruction strategy is also used by postmodernists to locate meaning in a text rather than discover meaning due to the position that it has multiple readings. There is a focus on the deconstruction that denotes the tearing apart of a text to find arbitrary hierarchies and presuppositions for the purpose of tracing contradictions ...
Although the Brutalist movement was largely over by the late 1970s and early 1980s, having largely given way to Structural Expressionism and Deconstructivism, it has experienced a resurgence of interest since 2015 with the publication of a variety of guides and books, including Brutal London (Zupagrafika, 2015), Brutalist London Map (2015 ...
The period was marked by the rebellion of students and workers against the state in May 1968. In a 1966 lecture titled "Structure, Sign, and Play in the Discourse of the Human Sciences", Jacques Derrida presented a thesis on an apparent rupture in intellectual life. Derrida interpreted this event as a "decentering" of the former intellectual ...
By the end of the 1920s Constructivism was the country's dominant architecture, and surprisingly many buildings of this period survive. Initially the reaction was towards an art decoesque Classicism that was initially inflected with Constructivist devices, such as in Iofan's House on Embankment of 1929–32.
Future Systems' blobitecture design for the 2003 Selfridges Building department store was intended to evoke the female silhouette and a famous "chainmail" dress designed by Paco Rabanne in the 1960s.