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The syncretism of the predominant triple moon goddess (a united figure of Diana/Hecate/Selene), combined with the Orphic belief that the Seasons and the Fates were divisions of this same divinity, along with the latter representing the three stages of life, ultimately gave rise to the modern conception of a Triple Goddess whose symbol is the ...
In Seneca's Medea, the titular Medea invokes her patron Hecate whom she addresses as "Moon, orb of the night" and "triple form". [71] Hecate and the moon goddess Selene were frequently identified with each other and a number of Greek and non-Greek deities; [72] the Greek Magical Papyri and other magical texts emphasize a syncretism between ...
Symbol of Triple Goddess, composed of waxing crescent, full moon, and waning crescent. Peter H. Goodrich interprets the literary figure of Morgan le Fay as a manifestation of a British triple goddess in the medieval romance Sir Gawain and the Green Knight. [38] A modern idea of a triple goddess is central to the new religious movement of Wicca.
She evokes the triple goddess of Diana, Selene, and Hecate, and specifies that she requires the powers of the latter. [5] The 1st century poet Horace similarly wrote of a magic incantation invoking the power of both Diana and Proserpina. [23] The symbol of the crossroads is relevant to several aspects of Diana's domain.
The goddess Chía (from the Chibcha language "the one who is like the moon"), is a triple lunar deity in the religion of the Muisca who inhabited the Altiplano Cundiboyacense in pre-Columbian times. [1] Of central importance to the pantheon, she was worshipped across various Muisca lands.
In Sabine and ancient Roman religion and myth, Luna is the divine embodiment of the Moon (Latin Lūna [ˈɫ̪uːnä]). She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate.
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