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Author, speaker. Notable works. Personality Plus. Spouse. Fred Littauer (1953–2002; his death) Children. 5. Florence Littauer (née Chapman; April 27, 1928 – July 11, 2020) [1] was an American Christian self-help author and public speaker. Littauer is best known for her series of books based upon the Personality Plus personality system. [2]
Lysa TerKeurst (born July 21, 1969) [1] is an American speaker and author of Christian non-fiction.She has written more than a dozen books, including the #1 New York Times bestsellers Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely [2] [3] and Forgiving What You Can't Forget. [4]
Marianne Ihlen. Marianne Christine Stang Ihlen (Norwegian: [mɑrɪˈɑ̂nːə ˈîːln̩]; 18 May 1935 – 28 July 2016) [nb 1] was a Norwegian woman who was the first wife of author Axel Jensen and later the muse and girlfriend of Leonard Cohen for several years in the 1960s. [5] She was the subject of Cohen's 1967 song "So Long, Marianne".
The 'Real Housewives of New York City' alum opens up about the loss of her husband in a new memoir 'Make it Nice.' Dorinda Medley reflects on how her husband’s death ‘changed’ her: Grief ...
No. 5: ‘I want to come give you a hug’. Before I was thrust into grief, I would not have understood how a loving gesture from a friend could ever feel uncomfortable. Now I do. Those of us ...
External links. The Life That I Have. " The Life That I Have " (sometimes referred to as " Yours ") is a short poem written by Leo Marks and used as a poem code in the Second World War. In the war, famous poems were used to encrypt messages. This was, however, found to be insecure because enemy cryptanalysts were able to locate the original ...
Related: Woman Receives Text from Husband About Feeling Ill; Days Later, He Dies from Septic Shock on Wedding Anniversary (Exclusive) Since posting, Holly's video has garnered more than 1,800 ...
A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.