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Philips-BTS eventually evolved the FDL 60 into the FDL 90 in 1989 and then updated to the Quadra in 1993. These units were able to support super 35mm, super 16mm and super 8. The units were able to zoom and position the picture. The units outputted 4:4:4 digital video to feed a color corrector like the Da Vinci Systems 888. The units also had ...
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
The Ciné-Kodak was the first movie camera for 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. [1] It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm cameras under the Ciné-Kodak Eight sub-brand.
Kodascope is a name created by Eastman Kodak Company for the projector it placed on the market in 1923 as part of the first 16mm motion picture equipment. The original Kodascope was part of an outfit that included the Cine-Kodak camera, tripod, Kodascope projector, projection screen, and film splicer, all of which sold together for $335. [1]
Some video cameras and consumer camcorders are able to record in progressive "24 frames/s" or "23.976 frames/s". Such a video has cinema-like motion characteristics and is the major component of the so-called film look. For most 24 frames/s cameras, the virtual 2:3 pulldown process is happening inside the camera.
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
Digital video camcorder formats include Digital8, MiniDV, DVD, hard disk drive, direct to disk recording and solid-state, semiconductor flash memory. While all these formats record video in digital form, Digital8, MiniDV, DVD and hard-disk drives [14] have no longer been manufactured in consumer camcorders since 2006.
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