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Following the CKS, Kodak introduced the synchronous, electric drive 16mm Kodak Reflex Special with a 400' magazine in the early 1960s. The Kodak Reflex Special used a new "Type R" lens mount. [7] A competitor, Bach-Auricon, sold electrically-driven 16mm sound cameras starting in the early 1940s, which were produced through the 1970s.
A number of digital cameras approximate the look of the 16 mm format by using 16 mm-sized sensors and taking 16 mm lenses. These cameras include the Ikonoskop A-Cam DII (2008) and the Digital Bolex (2012). The Blackmagic Pocket Cinema Camera (2013) and the Blackmagic Micro Cinema Camera (2015) has a Super 16-sized sensor. The Z CAM E2G (2019 ...
The Ciné-Kodak was the first movie camera for 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. [1] It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm cameras under the Ciné-Kodak Eight sub-brand.
The Digital Bolex camera was the second camera to feature Adobe's CinemaDNG open RAW file format after the Swedish-made Ikonoskop which debuted in 2008. Both cameras use a Kodak-designed CCD sensor. [10] The Digital Bolex D16 shoots raw still frames per second instead of a traditional video stream.
The firm introduced its first 16 mm camera and movie projector on August 12, 1923, [1] the same year Eastman Kodak introduced the Cine-Kodak and Kodascope. Victor advertised through his entire career thereafter that he had marketed the first 16mm equipment, but his claim was incorrect by several weeks, since the Cine-Kodak had been introduced ...
Although the first digital camera was created in 1975, the 1999 Kodak DC210 truly signaled the beginning of the digital camera revolution — and the beginning of the end for film.
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