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2. Spirit DataCine - Wikipedia

   en.wikipedia.org/wiki/Spirit_DataCine

   This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL television standards or one of many High-definition television standards. With the data transfer option a Spirit DataCine can output DPX data files. The Spirit DataCine is made by DFT Digital Film Technology GmbH in Darmstadt, Germany. [1]

3. Motion picture film scanner - Wikipedia

   en.wikipedia.org/wiki/Motion_picture_film_scanner

   Filmlight - Northlight 1 (up to 6K, 16mm to VistaVision), Northlight 2 (up to 8K, 16mm to VistaVision) Imagica scanner, single frame intermittent scanner. Kodak - Cineon, the first system designed for DI work, included a scanner, tapes drives, workstations and a film recorder. [8] [9] [10] Lasergraphics - Director (up to 13.5K, 8mm to 65mm)

4. Ciné-Kodak Special - Wikipedia

   en.wikipedia.org/wiki/Ciné-Kodak_Special

   Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]

5. Film-out - Wikipedia

   en.wikipedia.org/wiki/Film-out

   Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...

6. Telecine - Wikipedia

   en.wikipedia.org/wiki/Telecine

   Some video cameras and consumer camcorders are able to record in progressive "24 frames/s" or "23.976 frames/s". Such a video has cinema-like motion characteristics and is the major component of the so-called film look. For most 24 frames/s cameras, the virtual 2:3 pulldown process is happening inside the camera.

7. Digital intermediate - Wikipedia

   en.wikipedia.org/wiki/Digital_intermediate

   The digital intermediate process was also used to perform a digital blowup of the film's original Super 16 source format to a 35mm output. [ 7 ] [ 8 ] 1999: Pacific Ocean Post Film, a team led by John McCunn and Greg Kimble used Kodak film scanners & laser film printer, Cineon software as well as proprietary tools to rebuild and repair the ...