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Yo Soy 132, commonly stylized as #YoSoy132, was a protest movement composed of Mexican university students from both private and public universities, residents of Mexico, claiming supporters from about 50 cities around the world. [2]
The pronouns yo, tú, vos, [1] él, nosotros, vosotros [2] and ellos are used to symbolise the three persons and two numbers. Note, however, that Spanish is a pro-drop language , and so it is the norm to omit subject pronouns when not needed for contrast or emphasis.
El ministro y yo (Spanish: The Minister and I) is a 1976 Mexican film directed by Miguel M. Delgado and starring Cantinflas, Chela Castro, Lucía Méndez and Ángel Garasa. [1] It is the last film in which Cantinflas acted alongside Garasa.
El pueblo soy yo (English: I am the people), also known as El Pueblo Soy Yo: Venezuela en Populismo, is a 2018 documentary film directed by Venezuelan filmmaker Carlos Oteyza and produced by Mexican historian Enrique Krauze. It was inspired by Krauze's book of the same name. The film explores the populism of Hugo Chávez.
Platero and I, also translated as Platero and Me (Spanish: Platero y yo), is a 1914 Spanish prose poem written by Juan Ramón Jiménez. [1] The book is one of the most popular works by Jiménez, and unfolds around a writer and his eponymous donkey, Platero ("silvery"). Platero is described as a "small donkey, a soft, hairy donkey: so soft to ...
Nadie hablará de nosotras cuando hayamos muerto (English: Nobody Will Speak of Us When We're Dead) is an awarded 1995 Spanish noir drama film written and directed by Agustín Díaz Yanes. Cast [ edit ]
I, the Supreme (orig. Spanish Yo el Supremo) is a historical novel written by exiled Paraguayan author Augusto Roa Bastos. It is a fictionalized account of the nineteenth-century Paraguayan dictator José Gaspar Rodríguez de Francia, who was also known as "Dr. Francia." The book's title derives from the fact that Francia referred to himself as ...
I Don't Trust Men Anymore (Spanish: Yo no creo en los hombres) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México. Critically acclaimed, it was the most awarded novela of 2014 and is widely considered to be one of the best telenovelas of the decade.