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Allegorical personification of Hope: Hope in a Prison of Despair, 1887, by Evelyn De Morgan. Hope (Latin: spes) is one of the three theological virtues in the Christian tradition. Hope is a combination of the desire for something and expectation of receiving it. The Christian virtue is hoping specifically for Divine union and so eternal happiness.
Theological virtues are virtues associated in Christian theology and philosophy with salvation resulting from the grace of God. [1] Virtues are traits or qualities which dispose one to conduct oneself in a morally good manner. Traditionally the theological virtues have been named faith, hope, and charity .
Hope Second version of Hope, 1886 Artist George Frederic Watts Year 1886 (1886), further versions 1886–1895 Type Oil Dimensions 142.2 cm × 111.8 cm (56.0 in × 44.0 in) Location Tate Britain Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone ...
Hope is an optimistic state of mind that is based on an expectation of positive outcomes with respect to events and circumstances in one's own life, or the world at large. [1] As a verb, Merriam-Webster defines hope as "to expect with confidence" or "to cherish a desire with anticipation". [2] Among its opposites are dejection, hopelessness ...
The theological virtues are those named by Paul the Apostle in 1 Corinthians 13: "And now faith, hope, and love abide, these three; and the greatest of these is love." [5] The third virtue is also commonly referred to as "charity", as this is how the influential King James Bible translated the Greek word agape.
The Principle of Hope (German: Das Prinzip Hoffnung) is a book by the Marxist philosopher Ernst Bloch, published in three volumes in 1954, 1955, and 1959, in which the author explores utopianism, studying the utopian impulses present in art, literature, religion and other forms of cultural expression, and envisages a future state of absolute perfection.
The most common form of anchor found in early Christian images was that in which one extremity terminates in a ring adjoining the cross-bar while the other ends in two curved branches or an arrowhead; There are, however, many deviations from this form. [24] In general the anchor can symbolize hope, steadfastness, calm and composure. [25]
It is a fear that comes forth out of love for the Lord. [citation needed] A related concept (mostly present within Catholic theology) is the 'Sin of Human Respect'. This occurs when the 'Fear of God' is replaced with a 'Fear of other people' (aiming to please other people more than God), leading to sin. [6]