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The Geistervariationen (Ghost Variations), or Theme and Variations in E-flat major for piano, WoO 24, composed in 1854, is the last piano work of Robert Schumann.The variations were composed in the time leading up to his admission to an asylum for the insane and are infrequently played or recorded today.
The Variations in E-flat major piano trio, Op. 44, by Ludwig van Beethoven, is a series of fourteen variations on a theme, written for piano, violin and cello. Although this may be one of Beethoven's early works (written circa 1792, i.e., at around age 22) it was assigned its opus number when it was published by Hoffmeister in Leipzig, more than a decade after Beethoven began writing it.
In music, Op. 44 stands for Opus number 44. Compositions that are assigned this number include: Beethoven – Variations on an original theme in E-flat major Britten – Spring Symphony
A-flat major 1846 KK. IVc/13 P. 2/13 Galop Marquis: Introduction et Variations brillantes sur le Rondeau favori "Je vends des scapulaires" from Hérold's Ludovic: B-flat major 1833 Op. 12 B. 80 Klavierstück E-flat major 1840 1955 B.133 KK IVb/10 P. 2/10 Marked simply "Sostenuto"; sometimes classified as a Waltz Largo E-flat major 1837 1938 B ...
S 162 – Marche à la romaine for piano in E flat major; S 163 – Attila (lost) S 164 – Variations for piano in E major; S 165 – Rondoletto for piano in C major; S 166 – Einmal nur in unserm Leben; S 167 – Birthday Cantata for Goethe (1825) S 167a – Album piece for piano; S 168, WoO 7 – Impromptu in Canone for piano in G major
Craw 244 \ Variations for piano Op. 71 No. 4 in G major Craw 245 \ Variations for piano Op. 71 No. 5 in C minor Craw 246 \ Variations for piano Op. 71 No. 6 in B-flat major Craw 247 \ Piano Sonata Op. 75 in E-flat major (No. 27) Craw 248 \ Fantasia for piano in F major Op. 76 Craw 249 \ Romance favorite for piano in E-flat major
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Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
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