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A Willson 2900 euphonium, a professional model commonly used in American service bands. The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to ...
The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.
Brian Leslie Bowman (born July 22, 1946) is an American virtuoso euphonium artist and music professor who, among other things, held the principal euphonium chair and was a featured soloist with the premier concert bands of the United States Navy and Air Force. On March 28, 1976, Bowman performed the first euphonium recital at Carnegie Hall. [1 ...
Guitar Ladies by Heike Matthiesen is a wonderful collection of repertoire by prominent and historical composers. The all-women conceptual base ties the album together and, along with the works by Maria Linnemann dedicated to Matthiesen, represents an important repertoire exploration as well as a personal touch and contribution from the performer.
Euphonium Concerto is a concerto written by Joseph Horovitz for euphonium and British-style brass band (or, alternatively, wind orchestra or chamber orchestra). It is considered as one of the first euphonium concertos. It was commissioned by the National Brass Band Festival with funds from the Arts Council of Great Britain.
music for a play by George Moore and W. B. Yeats, for orchestra and contralto soloist 1. Incidental Music and Funeral March 2. Song, "There are seven that pull the thread" Henry J. Wood — Novello 42.1: 1901: Incidental Music and Funeral March: incidental: music for orchestra, for a play Grania and Diarmid by George Moore and W. B. Yeats ...
Given the prominence of the instrument in Brouwer's oeuvre, his works for guitar solo, guitar ensembles, as well as guitar concertos, are all placed in a separate category. However, pieces which include guitar as part of a mixed ensemble, and ones for guitar and tape, are placed into the chamber music category.
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