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The song was used in the first episode of season three of Channel Zero, an American horror anthology television series on SYFY. "Timothy" plays on the car radio during an awkward "intimate" scene in the film Raising Buchanan (2019). "Timothy" can be heard in "The Road to Cincinnati" episode of The Simpsons that aired Nov. 29, 2020.
The Buoys were an American pop/rock band from the early 1970s. Its membership included Bill Kelly, Fran Brozena, Jerry Hludzik, Carl Siracuse and Chris Hanlon, based in the Wilkes-Barre-Scranton, Pennsylvania, area. They are most famous for the banned song "Timothy", which was written for them by Rupert Holmes.
Timothy Charles Buckley III (February 14, 1947 – June 29, 1975) was an American musician. He began his career based in folk rock, but subsequently experimented with genres such as psychedelia, jazz, the avant-garde, and funk paired with his unique five-octave vocal range.
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the ...
Cinema in the 1970s was marked by experimentation. The Post's Ann Hornaday revisits the decade through the lens of "Love Story," a surprise No. 1 film, 50 years later.
The Bee Gees scored the most number-one hits (9 songs) and had the longest cumulative run atop the Billboard Hot 100 chart (27 weeks) during the 1970s. Rod Stewart remained at the top of the Billboard Hot 100 chart for 17 weeks during the 1970s. Elton John amassed the second-most number-one hits on the Hot 100 chart during the 1970s (6 songs). #
Simon & Garfunkel had two songs on the Year-End Hot 100, including "Bridge Over Troubled Water" The Jackson 5 had four songs on the Year-End Hot 100, the most of any artist in 1970. This is a list of Billboard magazine's Top Hot 100 songs of the year 1970. [1] It covers from January 3 to November 28, 1970. [2]
"Legend of a Mind" is one of the Moody Blues' longer songs, lasting about six and a half minutes, with a two-minute flute solo by Ray Thomas, in the middle.. During the 1980s, Thomas and keyboardist Patrick Moraz (who joined the band in 1978, replacing Mike Pinder) modified the live performance of the song by composing a flute and keyboard duet as part of the flute solo.