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Female adults of the northern white-lipped python (L. albertisii) grow to an average of about 213 cm (6–7 ft) in total length (including tail), whereas the southern white-lipped python (L. fredparkeri) can reach up to 300 cm (9.8 ft) in total length.
D'Albertis' python (Leiopython albertisii), also known commonly as D'Albert's water python or the northern white-lipped python, is a species of python, a non-venomous snake in the family Pythonidae. The species is endemic to New Guinea. There are no subspecies that are recognized as being valid. [4]
Leiopython fredparkeri, also known commonly as the Karimui Basin whitelip python, the Karimui Basin white-lipped python, and the southern white-lipped python, is a species of snake in the family Pythonidae. The species is endemic to New Guinea. [1] [2] It was first described by German herpetologist Wulf D. Schleip in 2008. [2] [3]
Leiopython albertisii, a.k.a. D'Albert's water python, a non-venomous species found in New Guinea Liasis mackloti , a.k.a. Macklot's python, a non-venomous species found in Indonesia Topics referred to by the same term
Leiopython biakensis, the Biak white-lipped python, is a species of snake in the family Pythonidae. It is endemic to the island of Biak, which lies north of New Guinea. [1] [2] The species is known from a few individuals collected on the southern part of the island. Little is known about its population or habitat. [1]
The film version is different due to limitations of the practical special effects available at the time. The Maschinenmensch is a metallic automaton shaped like a woman. In the film version Rotwang proudly proclaims that Hel, his former lover, is not dead but alive in the form of the automaton.
Echo is an American television miniseries created for the streaming service Disney+, based on Marvel Comics featuring the character of the same name.A spin-off from the series Hawkeye (2021), it is the 10th television series in the Marvel Cinematic Universe (MCU) produced by Marvel Studios, sharing continuity with the films of the franchise.
McQueen's use of animal motifs thus allows women to explore different types of femininity and female power, without being constrained to any particular binary. [131] They further argue that McQueen's combination of "masculine" tartan with "feminine" fabrics like lace is another subversion of the gender binary, allowing the widows to step into a ...