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Among Smallwood's most popular songs are "Total Praise," composed in 1996 while he was experiencing sorrow in his life, and "I Love the Lord," popularized by singer Whitney Houston in the film, The Preacher's Wife. [4]
"Total Praise" is a song written by Richard Smallwood, first recorded by Richard Smallwood with Vision on the 1996 album, Adoration: Live in Atlanta. [1] It has subsequently become one of his most popular songs.
2005: Praise For The Ages; 2007: Red Letter Day; 2008: Bright Lights, Big Stage; 2010: He's Alive; NUMBER ONE SINGLES: - Searchin' - The Healer - The Answer is Christ - I Love the Lord / Total Praise - His Life For Mine - Jesus Saves - The Debt - The Broken Ones - That's Enough - Life Goes On - Up Above
Victory marks Bethel Music first collection of new songs in two years, that is, since the release of Starlight in April 2017. [6] The album was written, recorded and produced in 2018, which proved to be an tumultuous year for the Bethel Church community, as Jaxon Taylor (son of Bethel Music CEO Joel Taylor) was in a life-threatening health situation having contracted Hemolytic-uremic syndrome ...
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Bethel Music released an instrumental remix of the song on their instrumental album, Without Words: Synesthesia (2015). [37] Natalie Grant released her cover of "Ever Be" on her studio album, Be One (2015). [38] Bethel Music Kids released their version of the song on their debut album, Come Alive (2015). [39]
The instrumental pieces carried strong jazz fusion and European free-improvisation influences, and some aggressive portions verging on heavy metal. [8] [9] The band's multi-instrumentalism initially extended to Wetton and Muir playing (respectively) violin and trombone on occasion at early gigs. Wetton and Cross contributed additional piano and ...
Cryptooology runs just short of a half hour across seven instrumental tracks, each of which is titled after a feminine given name starting with the letter "T". [4] Yowie's minimal lineup provides drums and two electric guitars, both using amplification sans effects, performing a highly technically demanding variant of math rock. [7]