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"Bad to the Bone" was released as a single on September 17, 1982. It is often considered Thorogood's best song, [14] and a staple of classic rock radio. [11] The song was not popular upon release, however, its music video received recurrent appearances on MTV. [24] The song's use in films, television, and commercials has since made it more popular.
"Bad to the Bone" is a rock song by American blues rock band George Thorogood and the Destroyers, released in 1982 on the album of the same name by EMI America Records. [2] It was written by George Thorogood. "Bad to the Bone" became a staple of classic rock radio. [3] It is on many compilation and live albums, and is often played live by the ...
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Bad to the Bone" is a 1982 song by George Thorogood and the Destroyers. Bad to the Bone may also refer to: Bad to the Bone (George Thorogood & The Destroyers album), 1982; Bad to the Bone, a 1986 album by LA Dream Team; Bad to the Bone (Inner Circle album), 1992, or the title song "Bad to the Bone" (Running Wild song), 1989
George Lawrence Thorogood (born February 24, 1950) is an American musician, singer and songwriter. [1] His "high-energy boogie-blues" sound became a staple of 1980s US rock radio, with hits like his original songs "Bad to the Bone" and "I Drink Alone". [2]
"Bad to the Bone" is the third single from American hip hop duo Kool G Rap & DJ Polo's 1990 album Wanted: Dead or Alive. It was later included on the compilation albums The Best of Cold Chillin (2000), Greatest Hits (2002) and Street Stories: The Best of Kool G Rap & DJ Polo (2013).
The band received a Grammy Award in 1993 for 'Best Reggae Album by Duo or Group' for Bad Boys and the album also spawned the international hit single "Sweat (A La La La La Long)", which was a #3 hit in the UK Singles Chart and topped the chart in 10 countries, selling over a million copies in Europe, while "Bad Boys" peaked at #52.
Bad Music for Bad People is the second compilation album of previously released material by the American rock band the Cramps.It was released in 1984 on I.R.S. Records and was seen by most fans as a cynical cash-in by the record label, following the departure of the band.