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The Juno-106 is a polyphonic synthesizer with six voices. It is an analog synthesizer but with digitally controlled oscillators and chorus effects. [2][3] Whereas its predecessor, the Juno-60, has 56 patches, the Juno-106 has 128. It introduced Roland's performance lever for pitch bends and modulation, which became a standard feature of Roland ...
MIDI. The Roland Zenology was initially released in May 2020 as a rackmount-style softsynth built on the ZEN-Core engine which powers the Jupiter-X and Fantom. [1] It has been expanded to provide full control panels for specific 'Model Expansions'. [2] It initially came with 3,597 presets, expandable through many themed preset packs. [3]
In June 2020, Roland released Zenology plugins for Roland synths, which includes an SH-101 emulator. [24] [25] Roland claims it is an ultra-detailed replica. [26] Other software emulators include Togu Audio Line TAL-Bassline-101, D16 Group LuSH-101, Togu Audio Line TAL-Bassline (a free limited version of the other Togu app)., [27] and Softube ...
X. Roland XP-50. Roland XP-30. Roland XP-80. Categories: Japanese musical instruments. Synthesizers by manufacturer. Hidden category: Commons category link is on Wikidata.
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6 , an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators , allowing for greatly improved tuning stability over its competitors.
The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer / sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995). Due to its library of high-quality sounds and multi-timbral capabilities, it became a mainstay with film composers.
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Roland's first keytar was the AXIS (officially the AXIS-1, leading to its frequently being confused with the AX-1). It was produced between 1985 and 1987, and is notable for being a significantly different design than later Roland keytars. It features a 45-note keyboard that is sensitive to both velocity and aftertouch; aftertouch sensitivity ...