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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
The person who brought realism in Hindi prose literature was Munshi Premchand, who is considered the most revered figure in the world of Hindi fiction and progressive movement. Literary, or Sāhityik, Hindi was popularised by the writings of Swami Dayananda Saraswati, Bhartendu Harishchandra and others. The rising numbers of newspapers and ...
Chhayavad (Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content.
Pages in category "Hindi-language literature" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A. Alha-Khand;
Sadhukkari (Devanagari: सधुक्कड़ी) was a vernacular dialect of the Hindi Belt of medieval North India, and a mix of Hindustani, Haryanvi, Braj Bhasha, Awadhi, Marwari, Bhojpuri and Punjabi, hence it is also commonly called a Panchmel Khichri. [1] [2] Since it is simpler, it is used in adult literacy books or early literacy books.
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas . In modern times, the Dehlavi dialect of the Hindi Belt became more prominent than Sanskrit .
Mannu Bhandari (3 April 1931 – 15 November 2021) was an Indian author, screenplay writer, teacher, and playwright. Primarily known for her two Hindi novels, Aap Ka Bunty (Your Bunty) and Mahabhoj (Feast), Bhandari also wrote over 150 short stories, several other novels, screenplays for television and film, and adaptations for theater.
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.