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Shakespeare's Hamlet was the inspiration for two works by Pyotr Ilyich Tchaikovsky: the overture-fantasia Hamlet, Op. 67, and incidental music for the play, Op. 67a. Overture-Fantasia, Op. 67 [ edit ]
Hamlet, Op. 67b (1891), incidental music for Shakespeare's play. The score uses music borrowed from Tchaikovsky's overture of the same name, as well as from his Symphony No. 3, and from The Snow Maiden, in addition to original music that he wrote specifically for a stage production of Hamlet.
The love music is particularly strong, being reminiscent of the love music from Romeo and Juliet. Tchaikovsky was much influenced by Shakespeare: in addition to Romeo and Juliet and The Tempest , he also wrote a Hamlet overture-fantasy (1888) and incidental music to Hamlet (1891).
Hamlet, Op. 67b (1891), incidental music for Shakespeare's play. The score uses music borrowed from Tchaikovsky's overture of the same name, as well as from his Symphony No. 3, and from The Snow Maiden, in addition to original music that he wrote specifically for a stage production of Hamlet.
Pages in category "Music based on Hamlet" The following 10 pages are in this category, out of 10 total. ... Hamlet (Liszt) Hamlet (Tchaikovsky) L. Let me tell you ...
Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on The Tempest and Hamlet as well. Unlike Tchaikovsky's other major compositions, Romeo and Juliet does not have an opus number. [1] It has been given the alternative catalogue designations TH 42 [2] and ČW 39. [3]
His compositions include settings of seven of Shakespeare's Sonnets, songs from The Tempest, and incidental music for Hamlet. [1] In his will he left his skull to the Royal Shakespeare Company for use in productions of Hamlet. [2] Tchaikowsky met the theatre director John O'Brien in 1968 and they agreed to attempt an opera on The Merchant.
Op. 32: Music to the play Hamlet by Shakespeare (1931–1932) Op. 37: Music to the play The Human Comedy after Balzac for small orchestra (1933–1934) Op. 44: Music to the play Hail, Spain by Afinogenov (1936) Op. 58a: Music to the play King Lear by Shakespeare (1940) Op. 63: Music to the spectacle Native Country, suite Native Leningrad (1942)
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