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Trentemøller has received two Danish Music Awards for his 2006 debut album The Last Resort, in the categories "Danish Electronica Release of the Year" and "Danish Producer of the Year", in 2007. He was first awarded a Danish DeeJay Award in 2004 for his EP Trentemøller EP , and have since received a total of 11 awards.
A. Balam Acab; Access to Arasaka; Tyler Acord; Esteban Adame; John Adams (composer) Samuel Adams (composer) Adeva; Gaelle Adisson; Adonis (musician) Aesop Rock
On September 1, 2011, Betke founded a new artist label named Pole. Betke mastered John Frusciante 's 2016 EP, Foregrow , and oversaw the 2019 re-master of Alphaville's 1984 album Forever Young and the 2021 re-master of 1986 album Afternoons in Utopia and 1989 album The Breathtaking Blue alongside Bernhard Lloyd .
Flying Lotus – hip hop, IDM, jazz, electronica; Henry Flynt – violinist, guitarist, inventor of Electronic Hillbilly Music; David Fenech – musique concrète & experimental pop music; David First – drones and interference beats; John Frusciante – guitarist, Rock Musician, Electronica, Hip Hop, Avent-Garde
Cooper released a two-part EP, Conditions One, on 10 December 2012, which also featured Braids, Ghosting Season and D/R/U/G/S (a.k.a. Callum Wright). [17] That same month, he achieved the number 5 spot on BeatPort's "Top Artists of 2012" [18] and was voted a "top 20" live act by the readers of canonical electronic music website Resident Advisor ...
Lazzo is an American record producer, audio engineer, and songwriter, specializing in the rock, electronic, dance, and pop genres. In late 2013, he released his Wammy (Washington Area Music Association / WAMA) award-winning dance/dubstep remix album with Rites of Ash, Kept Me Up All Night.
The New Zealand Music Award for Best Electronic Artist is an Aotearoa Music Award that honours New Zealand artists for outstanding dance-pop and electronica recordings. The inaugural award was presented as Best Electronica Album in 2002 to Sola Rosa for their album Solarized .
Spotify, a music streaming company, has attracted significant criticism since its 2008 launch, [1] mainly over artist compensation. Unlike physical sales or downloads, which pay artists a fixed price per song or album sold, Spotify pays royalties based on the artist's "market share"—the number of streams for their songs as a proportion of total songs streamed on the service.