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Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions ...
The Round Chair (Danish: Den Runde Stol, also known as The Chair in America, The Classic Chair in Britain, and by the model numbers PP501, PP503, JH501, and JH503) is an armchair designed by Hans Wegner in 1949. The chair was a collaboration of Wegner and the now-defunct furniture maker Johannes Hansen.
With the resurgence of interest in Danish Modern furniture, HAY and Fredericia Furniture relaunched former FDB furniture designs. [9] Coop, seeing renewed interest in the brand, relaunched the company in 2013. They worked with Kvist Møbler, who purchased the Tarm factory in 1980, [10] to recreate the furniture line. [11]
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
The Danish Culture Canon credits Thorvald Bindesbøll (1846–1908) with early contributions to design in the areas of ceramics, jewellery, bookbinding, silver and furniture although he is known in the rest of the world for creating the Carlsberg logo (1904), still in use today. [1]
Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post-World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture design that had ...
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